Truly, whoever won this category, it was going to be a huge celebration, because it's such a win to even have the validation from the Recording Academy to have video games as their own thing. If so, was there a feeling upon receiving this GRAMMY that it's giving way a tad? I imagine there's a degree of aristocracy in the video game scoring community, as there is in many subcultures. This interview has been edited for clarity. Taking cues from neofolk, Nordic folk and black metal, Economou employed a diverse palette of instruments - synthesizers, lap harp, viola da gamba, et al - to make the open-world RPG evermore captivating and transportive.Įconomou opened up to about her creative journey through the worlds of film and TV, the manifold inspirations behind the "Dawn of Ragnarök" score, and her hope that this new GRAMMY Award will grant the video game music community the esteem it deserves. The soundtrack to "Assassin's Creed Valhalla: Dawn of Ragnarök" isn't just high-quality it's immersive, evocative and boundary-pushing. "The music is great, and what you represent is something important." It was Wintory, who Economou characterizes as "very, very, very well-known," who set her self-doubting mind at ease: "It's absurd to even question why you're here," he told her, from her recollection. "I'm still pretty new to this, and I was like, Did I earn this? Do I deserve this? " "I was experiencing a lot of impostor syndrome," she says. But despite the heavy competition - Austin Wintory for "Aliens: Fireteam Elite," Bear McCreary for "Call of Duty Vanguard," other industry juggernauts - the golden gramophone was hers.įrom rows and rows deep, Economou dashed to the stage feeling more than a little conflicted. "I was up against titans in the video game composing industry, so I was just happy to be nominated and happy to be there," Economou tells. The video game soundtrack composer was nominated for the inaugural Best Score Soundtrack For Video Games And Other Interactive Media award for her score to "Assassin's Creed Valhalla: Dawn of Ragnarök" - a lavish expansion of the latest entry in Ubisoft's series of historically inspired action role-playing games. Stephanie Economou was so certain she wouldn't win a GRAMMY, that she sat near the back of the auditorium.
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